[Exhibition] Mend & Jest: Jaclyn Guido and Corinne Beardsley

Mend & Jest

MEND & JEST
Jaclyn Guido + Corinne Beardsley

September 26 – November 7, 2026

Opening Reception
Saturday September 26, 5-8pm

Roundtable discussion
Sunday October 4, 3-5pm

On view during Open Hours, Bushel programs, by chance, and by appointment
(for appointments, email info@bushelcollective.org)

Bushel is pleased to present a two-person exhibition of sculptures by Jaclyn Guido and ceramic works by Corinne Beardsley. In Mend & Jest, two different bodies of work engage with ideas of the trickster’s shifting allegiances and the reconstruction of disassembled bodies.

Characters emerge from the abstracted materials in each artist’s body of work. Corinne’s clown faces appear magically from their splitting inception and then jest; extreme expressions of stretched earthy ceramic materials. Jackie’s assembled bodies slouch and float with ambivalence. Their burned remnants and crafted pieces are held together by tender intervention, creating a delicate allusion to regeneration.

ABOUT THE ARTISTS

Jaclyn Guido makes assemblage sculpture using ceramic, fabric, wood, metal, and recontextualized objects to explore familial structures, relationships, gender roles, emotional states, and their somatic interpretations. Through an iterative process of collage, drawing, sculpting, and experimenting with object juxtapositions, her process mines for cultural meaning in existing objects and artifacts, and strives to craft unique objects that respond to, generate, and at times offer solutions to fear, aggression, apathy, and joy.  Her current practice incorporates rural, domestic artifacts. These are ubiquitous objects shaped by repeated use, wear, and comfort.  Earlier work incorporated organic materials such as branches and roots to investigate growth, instability, and physical tension.  This transition reflects a movement from natural systems to cultural ones, allowing the work to engage more directly with history, emotional inheritance, and gender through material form.  By fragmenting and pairing loaded artifacts with crafted ceramics, drapery, and wool volumes, she creates a friction where human gesture and contemporary abstraction intersect.

Jackie (b. 1985, Baltimore) formally launched her studio practice following an accomplished career as a spatial designer and 3D fabricator for global fashion brands. Her foundational body of work, conceived five years ago, serves as the catalyst for her current practice. She received formal training in visual arts and design at Rhode Island School of Design, and her work has been exhibited at Bushel Collective in Delhi, NY, Atlantic Gallery in Chelsea, NY, Waverly Street Gallery in Bethesda, MD, and Neoteric Fine Art in Amagansett, NY.  She lives and works in the Catskills.

Corinne Beardsley connects embodied memories to nature through material gestures in sculpture, environmental installations, and performance. Ceramic designs are splayed open in visceral cross-sections; time and place embedded in ceramic strata. “Send in the clowns” is intended to distract and entertain during traumatic experiences.  Considering how culturally this removes us from the darkness of our time, and also is a channel to parody and release the grotesque edges of human nature. Corinne’s curiosity for the magic in masquerade and the transformation of spirit in disguise fuels her pursuit in this new series – to harness the duality of playful clown characters that incite discomfort with their extreme expressions and rebuttal to convention.  These abstract ceramic slab designs are layers of colored porcelain and glaze, sliced and stretched revealing embedded crushed glass, rocks and beach sand. The process and alchemy of materials are alive with the chance and spontaneity that clown performances possess, surprising the audience and artist with the twists to the script.

Corinne (b.1985) is from the Eastern Shore of Maryland, and received a MFA from the New York Academy of Art and a BFA from Hartford Art School. Select solo and group exhibitions include Dorsky Museum (NY), Good Naked Gallery (N/A), N/A Project Space (NY), Silver Art Projects (NYC), Army of the Frogs (NY), Holland Tunnel Revisited (NY), Practice Gallery (PA), ADS Gallery(NY), Mother in Law’s (NY), Field Projects (NYC), Moisturizer Gallery (NY), Sargent Daughters/Shrine (NYC), Real Art Ways (CT), M16 Artspace (AU), Sawtooth Gallery (AU), and Salisbury University Gallery (MD). She has been awarded fellowships and residencies including at the Vermont Studio Center, Byrdcliffe Woodstock Guild (NY), Red Lodge Clay Center (MT), Babayan Culture House (Turkey), Canberra Potters (AU), Central Academy of Fine Art (China), University of Tasmania (AU) and Poh Chang University(Thailand). Corinne has taught sculpture and ceramics at NYAA, and Pratt University, Salisbury University, and UM Eastern Shore. and continues teaching workshops in community ceramic studios. Currently she co-organizes Gold Star Fridge Gallery, and lives in Hudson Valley.

Open Calls

We occasionally post open calls for exhibitions. All open calls will be listed on this page.

[Open Call]
REPAIR (exhibition date: end of 2026)

Mend it or replace it? Fight or flee? Extend an apology or nurse a grudge? Disconnect, reconcile, compromise, ghost, or call a truce?

For this open call, we are seeking work that is engaged with questions, broadly speaking, of repair: its appeals, its uses, its abuses, and its limits. Work in any medium will be considered. As organizers of this show we are thinking critically about repair in multiple ways: material, interpersonal, political, environmental, and more.

If you would like to be considered for this exhibition, please fill in this form.

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